How to Paint Like the Old Masters

Author: Joseph Sheppard

Publisher: Watson-Guptill

ISBN: 9780823026715

Category: Art

Page: 143

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Explains in detailed, full-color demonstrations the oil-painting techniques perfected by sixteenthand seventeenth-century masters, studying portraits by Titian, Caravaggio, Reubens, and Rembrandt

How to Create an Underpainting Like the Old Masters

Author: Eric Bossik

Publisher: PORTABLE SHOPPER, LLC

ISBN: 0984241930

Category: Art

Page: N.A

View: 4055

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In order to emulate the paintings of Old Masters like Rembrandt it's essential to create an underpainting. This instructional E-Book will teach you the techniques you'll need to successfully complete an underpainting. This step-by-step guide has photos and explainations for every step of the painting process.

Das letzte Bild der Sara de Vos

Roman

Author: Dominic Smith

Publisher: Ullstein Buchverlage

ISBN: 3843714894

Category: Fiction

Page: 352

View: 6154

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Ein eleganter Pageturner um ein Gemälde aus dem 17. Jahrhundert Sara de Vos ist 1631 die erste Malerin, die in die Meistergilde in Amsterdam aufgenommen wird. Dreihundert Jahre später ist nur ein einziges ihrer Gemälde erhalten geblieben. Das Bild hängt über dem Bett eines reichen, etwas ruhelosen New Yorker Anwalts. Ohne böse Absichten kopiert eine junge Australierin das Bild. Doch die Kopie wird in Umlauf gebracht, mit erschütternden Konsequenzen. Jahrzehnte später treffen die beiden Bilder, die Fälscherin und der Anwalt noch einmal aufeinander ... „Wie der Autor drei Zeitläufte und Städte verbindet ist so brillant wie fesselnd.“ The Washington Post „Smiths Roman erinnert uns daran, dass die Wahrheiten, denen wir vertrauen, wertvoll bleiben, auch wenn sie ungenau sind.“ The Chicago Tribune „Ein Roman über Liebe und Sehnsucht, über Authentizität und ethische Grauzonen, vor allem aber über die Malerei als ein Weg, Trauer in Schönheit zu verwandeln.“ Lauren Groff, Autorin von „Licht und Zorn“ „Hinreißende Erzählkunst. Mit einer fast greifbaren Kenntnis der vielen Verästellungen des menschlichen Herzens. Dieser Roman hält Sie nachts wach, anfangs, weil Sie unbedingt weiterlesen wollen, dann weil Sie bewusst langsamer lesen, um das Ende hinauszuzögern.“ The Boston Globe


Controlled Painting

Using the Old Masters' Classical Verdaccio Technique for Realistic Painting

Author: Frank Covino

Publisher: N.A

ISBN: 9781626542815

Category:

Page: 166

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Classic Still Life Painting

A Contemporary Master Shows How to Achieve Old Master Effects Using Today's Art Materials

Author: Jane Jones

Publisher: Watson-Guptill Publications

ISBN: 9780823034482

Category: Art

Page: 143

View: 6749

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Henry is generally well-behaved, but he is occasionally arrogant and vain. Henry is at heart a hard worker, but his frequent bouts of illness hinder his work.

Geheimes Wissen

verlorene Techniken der alten Meister wiederentdeckt

Author: David Hockney

Publisher: N.A

ISBN: 9783896604057

Category:

Page: 328

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Classical Painting Atelier

A Contemporary Guide to Traditional Studio Practice

Author: Juliette Aristides

Publisher: Watson-Guptill

ISBN: 0823008363

Category: Art

Page: 256

View: 6676

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Want to paint more like Manet and less like Jackson Pollock? Students of art hailed Classical Drawing Atelier, Juliette Aristides’s first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.


Beautiful Portrait Painting in Oils

Keys to Mastering Diverse Skin Tones and More

Author: Chris Saper

Publisher: North Light Books

ISBN: 9781440349775

Category: Figure painting

Page: 176

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An expanded edition of the author's Classic portrait painting in oils, originally published in 2012.

The Viennese Secession

Author: Victoria Charles,Klaus Carl

Publisher: Parkstone International

ISBN: 1783103949

Category: Art

Page: 300

View: 2507

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A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire. Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.

Malkunde

Grundlagen, Materialien, Techniken

Author: Thomas Hoppe

Publisher: N.A

ISBN: 9783865021083

Category: Artists' materials

Page: 264

View: 4650

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How to Paint Like Leonardo Da Vinci

Author: Bob Henry

Publisher: CreateSpace

ISBN: 9781499353365

Category:

Page: 72

View: 953

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Who wouldn't want to paint like one of the greatest painters that ever lived? Not only was Leonardo da Vinci one of the greatest painters, but he was an inventor, engineer, musician, scientist, writer, designer, and draftsman. I will show you how I have emulated and learned from the old masters so that I could paint like them, and how you could too. I accomplished this the same way a young apprentice in a medieval guild would have started out: by copying their works. From copying their paintings, you can learn the styles and techniques from virtually any painter. By copying brushstroke for brushstroke, you'll be practicing your general painting skills while following a design and composition that works. You'll learn what makes a great painting great. By the end of your "apprenticeship," you could say you were taught by a genius. Contents Introduction Chapter 1 Who Was Leonardo da Vinci? - Making waves in the art world early on - Multi-talented artist seeking employment for important people - Important artworks Chapter 2 How To Paint Like a Master - Three stages to artistic mastery - Step by step process of painting and becoming a master - The secret to confident painting - How you can paint with modern materials Chapter 3 How Leonardo Painted - Medieval and Renaissance art - Frescoes, tempera, and the new oil paint medium Chapter 4 Begin Your Apprenticeship - Copy these paintings by Leonardo - Lady With an Ermine - The Mona Lisa Chapter 5 Advanced Apprenticeship, or Journeyman - Finish these unfinished Leonardo paintings - Saint Jerome - Adoration of the Magi Chapter 6 Leonardo Paintings to Copy or Emulate Bonus Chapter Texture Painting and Color Mixing Guide - How to paint textures like fur, etc. - Mix These Colors to Paint (this)...

Whistler

Author: Jp. A. Calosse

Publisher: Parkstone International

ISBN: 1781606064

Category: Art

Page: 101

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Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.

Fernando Botero

Author: Mariana Hanstein

Publisher: Taschen

ISBN: 9783822821299

Category: Art

Page: 96

View: 9744

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Pleasantly plump With whimsical irony and a style reminiscent of the old masters, Fernando Botero (b.1932) began painting caricatured animals and corpulent bodies with disproportionate heads at a time when his contemporaries were fervently rejecting figurative work in favor of abstraction. More recently he has expanded into sculpture, creating delightful large-scale bronze works portraying the same sorts of voluminous figures he so loved to paint. Like the writings of Gabriel García Márquez or the music of Astor Piazzola, Botero's work has come to represent modern Latin American culture. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Your Painting Questions Answered from A to Z

Author: Helen Van Wyk

Publisher: Art Instruction Assoc

ISBN: 9780929552040

Category: Art

Page: 199

View: 8089

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Helen Van Wyk, one of the all-time favorite teachers of oil painting, was famous for her popular PBS television show, "Welcome to My Studio". This book is a compilation of the most-asked questions from the late artist's students over her 40-year teaching career. 125 illustrations, including 60 of Van Wyk's paintings.


Skiing in the Mad River Valley

Author: John Hilferty,Ellie Hilferty

Publisher: Arcadia Publishing

ISBN: 1439638950

Category: Sports & Recreation

Page: 128

View: 4402

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In 1948, the first skiers to experience the steep and twisting downhill trails of Mad River Glen had to traverse muddy or frozen dirt roads to get to their destination. The warmth of a country inn was a comfort on those cold winter nights and continues as a hallmark of the Mad River Valley today. Even with the condo boom that developed after the opening of Sugarbush on Christmas Day in 1958, little has upset the ambience of the 20-mile-long valley. The valley developed a distinct personality, attracting “ski bums” who exchanged urban pressures for a laid-back lifestyle that continues today.

American Painters on Technique

1860-1945

Author: Lance Mayer,Gay Myers

Publisher: Getty Publications

ISBN: 1606061356

Category: Art

Page: 298

View: 4194

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This second volume in the American Painter's on Technique series is the first overview of an important but largely unknown aspect of American art from 1860 to 1945. The study is based primarily on firsthand descriptions of the materials and techniques that artists used to make paintings. The book is into two parts: 1860 to 1910 and 1910 to 1945. Between 1860 and 1910, the predominant theme is the increased number of Americans who traveled to Europe for instruction, resulting in an explosion of transplanted techniques. The period 1910 to 1945, was marked by a fundamental change in the attitudes of painters toward their materials. An epilogue summarizes the lessons American painters' experiences over 250 years can hold for contemporary artists interested in the longterm preservation of their paintings.