JEZEBEL A NORMAN LATIN POEM OF THE EARLY ELEVENTH CENTURY HUMANA CIVILITAS
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From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Entries that range from 250 words to 4,500 words in length thoroughly explore topics in the following areas: · Art and Architecture · Countries, Realms, and Regions · Daily Life · Documentary Sources · Economics · Education and Learning · Gender and Sexuality · Historiography · Law · Literature · Medicine and Science · Music and Dance · Persons · Philosophy · Politics · Political Figures · Religion and Theology · Religious Figures · Social Organization and Status Written by renowned international scholars, Women and Gender in Medieval Europe is the latest in the Routledge Encyclopedias of the Middle Ages. Easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be an invaluable resource on women in Medieval Europe.
"Music in the Old Bones is a guide to the eternal Jezebel story. The first part of this illustrated study is a detailed analysis that explores the biblical tale from traditional and feminist points of view. Gaines then analyzes the ways authors through the centuries have treated Jezebel."--BOOK JACKET.
The miracle stories surrounding Sainte Foy form one of the most complete sets of material relating to a medieval saint's cult and its practices. Pamela Sheingorn's superb translation from the Medieval Latin texts now makes this literature available in English. The Book of Sainte Foy recounts the virgin saint's martyrdom in the third century (Passio), the theft of her relics in the late ninth century by the monks of the monastery at Conques (Translatio), and her diverse miracles (Liber miraculorum); also included is a rendering of the Provençal Chanson de Sainte Foy, translated by Robert L. A. Clark. The miracles distinguish Sainte Foy as an unusual and highly individualistic child saint displaying a fondness for gold and pretty things, as well as a penchant for playing practical jokes on her worshippers. In his record of Sainte Foy, Bernard of Angers, the eleventh-century author of the first parts of the Liber miraculorum, emphasized the saint's "unheard of" miracles, such as replacing missing body parts and bringing dead animals back to life. The introduction to the volume situates Sainte Foy in the history in the history of hagiography and places the saint and her monastery in the social context of the high Middle Ages. Sheingorn also evokes the rugged landscape of south central France, the picturesque village of Conques on the pilgrimage road, and, most important, the golden, jewel-encrusted reliquary statue that medieval believers saw as the embodiment of Sainte Foy's miracle-working power. In no other book will readers enjoy such a comprehensive portrait of Sainte Foy and the culture that nurtured her.
The Women's Bible Commentary gathers the best feminist scholars in the field today to produce a commentary on every book of the Bible, including the apocryphal books, with additional articles on the reception history of biblical women, feminist critical method, and women's religious life in ancient Israel and the early Church. The commentary explores the ways in which women and other marginalized people are portrayed in the Bible, and raises questions about gender roles, sexuality, political power, and family life, while challenging long-held assumptions about how biblical texts should be read and appropriated for today. 'With The Women's Bible Commentary, careful and critical feminist biblical interpretation is made accessible for preaching, study groups, and seminary courses.' Professor Letty M. Russell, Yale University
The Normans in France and England left a rich legacy in historiography and literature, which is the subject of this volume. Dr van Houts first deals with the Scandinavian inheritance, which together with contacts with Danish England and Byzantium led to an interesting mix of pagan and ecclesiastical themes. Next she analyses the propaganda that followed the Norman conquest of England, in which the panegyrics written by French clerks eager to gain favour contrast markedly with the almost unanimous condemnation of William's actions on the Continent. Included is the earliest history of the battle of Hastings written in England, here published with a new English translation. The last papers consider the role of women in the transmission of knowledge about the past: in their families they passed on memories, and their importance as commissioners, readers and informants of chroniclers must also not be underestimated.
Solomon and Marcolf is known for being both important and mysterious. It pits wise Solomon, famous from the Bible, against a wily peasant named Marcolf. One of its two parts is a dialogue, in which the king and jester, sage and fool, prophet and blasphemer bandy back and forth questions and comments. Whereas Solomon is solemn and pompous, Marcolf resorts to low language and earthy topics. The other part comprises twenty short chapters in which Marcolf tricks Solomon time and again. These episodes are as impudent and scatological as is the dialogue. Together, the two parts constitute a rudimental prose novel or “rogue biography.” Cited by Bakhtin in Rabelais and His World, Solomon and Marcolf is widely known by name. But until now it has not been translated into any modern language. The present volume offers an introduction, followed by the Latin and English, detailed commentary, and reproductions of woodcut illustrations from the 1514 edition. Appendixes help readers understand the origins and influence of a work that was composed around 1200, that attained its greatest popularity in the fifteenth and sixteenth centuries, and that has the potential still today to delight and instruct.