Geheimes Wissen

verlorene Techniken der alten Meister wiederentdeckt

Author: David Hockney

Publisher: N.A

ISBN: 9783896604057

Category:

Page: 328

View: 9590

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Geheimes Wissen

verlorene Techniken der alten Meister wieder entdeckt

Author: David Hockney

Publisher: N.A

ISBN: 9783896600929

Category: Camera lucidas

Page: 296

View: 3778

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Secret Knowledge

Rediscovering the Lost Techniques of the Old Masters

Author: David Hockney

Publisher: N.A

ISBN: 9780500600207

Category: Painting

Page: 328

View: 9447

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Die Monografie

Author: David Hockney

Publisher: N.A

ISBN: 9783896602404

Category:

Page: 368

View: 5769

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Der Bildband,originelles Werkverzeichnis, präsentiert mit 350 Werken aus beinahe 50 Schaffensjahren des bedeutenden Künstlers bestimmte Entwicklungslinien und die Vielfalt künstlerischer Techniken.

Vermeer

Author: Nils Büttner

Publisher: C.H.Beck

ISBN: 9783406597923

Category: Painters

Page: 126

View: 9632

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Summary: Nils Büttners konzise und lebendige Einführung zeichnet das Leben des Malers nach, stellt sein Werk in seinen historischen und sozialen Zusammenhängen vor und erklärt die Symbolik der Bilder, die noch heute oft als rätselhaft gelten.


David Hockney

Portraits

Author: Sarah Howgate,Barbara Stern Shapiro,Mark Glazebrook,Marco Livingstone,Edmund White,Los Angeles County Museum of Art,National Portrait Gallery (Great Britain)

Publisher: Yale University Press

ISBN: 030011754X

Category: Art

Page: 256

View: 8972

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David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life. Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.

Instrumente in Kunst und Wissenschaft

Zur Architektonik kultureller Grenzen im 17. Jahrhundert

Author: Helmar Schramm,Ludger Schwarte,Jan Lazardzig

Publisher: Walter de Gruyter

ISBN: 3110199947

Category: Science

Page: 655

View: 1174

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This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening up of new fields of knowledge and to the development of new cultural practices, but also to the delineation of particular genres, methods and disciplines.

Jan Vermeer

1632 - 1675 ; Verhüllung der Gefühle

Author: Norbert Schneider

Publisher: N.A

ISBN: 9783836513746

Category:

Page: 96

View: 1890

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Instrumente in Kunst und Wissenschaft

Zur Architektonik kultureller Grenzen im 17. Jahrhundert

Author: Helmar Schramm,Ludger Schwarte,Jan Lazardzig

Publisher: Walter de Gruyter

ISBN: 3110199947

Category: Science

Page: 655

View: 8307

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This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening up of new fields of knowledge and to the development of new cultural practices, but also to the delineation of particular genres, methods and disciplines.

Instruments in Art and Science

On the Architectonics of Cultural Boundaries in the 17th Century

Author: Helmar Schramm,Ludger Schwarte,Jan Lazardzig

Publisher: Walter de Gruyter

ISBN: 9783110202403

Category: Literary Criticism

Page: 575

View: 4612

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This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the openingof new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on whatactually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? - which actions does the instrument make possible? - when do the objects of examination themselves become instruments? - what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.


Exciting times are ahead

David Hockney ; [diese Publikation erscheint anläßlich der Ausstellung David Hockney - Exciting Times are Ahead - eine Retrospektive vom 1. Juni bis zum 23. September 2001 in der Kunst- und Ausstellungshalle der Bundesrepublik Deutschland in Bonn]

Author: N.A

Publisher: N.A

ISBN: N.A

Category:

Page: 290

View: 1427

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The Miracle of Analogy

or The History of Photography

Author: Kaja Silverman

Publisher: Stanford University Press

ISBN: 0804794006

Category: Art

Page: 240

View: 5228

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The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring." Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere. The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Key figures discussed along the way include Nicéphore Niépce, Louis Daguerre, William Fox-Talbot, Jeff Wall, and Joan Fontcuberta.

The Instrument of Caravaggio

Author: Antonino Saggio

Publisher: Lulu.com

ISBN: 144612228X

Category:

Page: 42

View: 5346

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The Instrument of Caravaggio shows that the use of the camera obscura is not only a technical device but a profound challenge for a new revolutionary vision.Translation by Rebecca Guarda

American Mirror: The Life and Art of Norman Rockwell

Author: Deborah Solomon

Publisher: Farrar, Straus and Giroux

ISBN: 0374711046

Category: Biography & Autobiography

Page: 512

View: 2126

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A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR A FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE IN BIOGRAPHY AND SHORTLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY "Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school—here was an America whose citizens seemed to believe in equality and gladness for all. Who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity? Behind the folksy, pipe-smoking façade lay a surprisingly complex figure—a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. "What's interesting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy," writes Solomon. "His work mirrors his own temperament—his sense of humor, his fear of depths—and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits." Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. "The thrill of his work," she writes, "is that he was able to use a commercial form [that of magazine illustration] to thrash out his private obsessions." In American Mirror, Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man. Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank.