Secret Knowledge

Rediscovering the Lost Techniques of the Old Masters

Author: David Hockney

Publisher: N.A

ISBN: 9780500600207

Category: Painting

Page: 328

View: 7158

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Secret Knowledge

Rediscovering the Lost Techniques of the Old Masters

Author: David Hockney

Publisher: N.A

ISBN: 9780500237854

Category: Camera lucidas

Page: 296

View: 7198

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David Hockney takes us on an enthralling intellectual and visual journey as he rewrites the story of how the great drawings and paintings of the last six centuries were created. He demonstrates for the first time how artists as far back as the 15th century used mirrors and lenses to project colour images onto flat surfaces and then captured these projections in pencil and paint. As well as being the presentation of more than two years' research, Secret Knowledge is an amazing detective story, as Hockney uncovers piece after piece of scientific and historical evidence, each one revealing further secrets of the past.

Vermeer's Camera

Uncovering the Truth Behind the Masterpieces

Author: Philip Steadman

Publisher: Oxford Paperbacks

ISBN: 9780192803023

Category: Art

Page: 207

View: 6776

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Explores the possibility that Vermeer used the camera obscura to achieve the photographic qualities of his paintings and provides a history of the camera obscura, how it is used, and the composition of Vermeer's paintings.

A History of Pictures

From the Cave to the Computer Screen

Author: David Hockney,Martin Gayford

Publisher: ABRAMS

ISBN: 9781419722752

Category: Art

Page: 360

View: 8441

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A picture, says David Hockney, is the only way that we can communicate what we see. Here, in a collaboration with art critic Martin Gayford, he explores the many ways that artists have pictured the world, sharing sparkling insights and ideas that will delight every art lover and art maker. Readers who thrilled to Hockney s "Secret Knowledge" know that he has an uncanny ability to get into the minds of artists. In "A History of Pictures" he covers far more ground, getting at the roots of visual expression and technique through hundreds of images from cave paintings to frames from movies that are reproduced. It s a joyful celebration of one of humanity s oldest impulses."


The Painter's Practice

How Artists Lived and Worked in Traditional China

Author: James Cahill

Publisher: Columbia University Press

ISBN: 9780231081818

Category: Art

Page: 187

View: 5234

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His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward.

Portrait Painting Atelier

Old Master Techniques and Contemporary Applications

Author: Suzanne Brooker

Publisher: Watson-Guptill

ISBN: 0823008355

Category: Art

Page: 208

View: 5783

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The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture. From the Hardcover edition.

David Hockney

Author: Paul Melia

Publisher: Manchester University Press

ISBN: 9780719044052

Category: Art

Page: 158

View: 1575

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This book presents an analysis of the key developments in Hockney's work over the past 30 years, and the chapters advance the critical debate around his work. He is the most widely discussed and well documented artist of his generation.

The Judgment of Paris

The Revolutionary Decade That Gave the World Impressionism

Author: Ross King

Publisher: Anchor Canada

ISBN: 0307374963

Category: Biography & Autobiography

Page: 464

View: 4930

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The fascinating new book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change: on the streets of Paris, at the new seaside resorts of Boulogne and Trouville, and at the race courses and picnic spots where the new bourgeoisie relaxed. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes (described by some as applied by a ‘floor mop’) but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art’. Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information (such as the use of carrier pigeons and hot-air balloons during the siege of Paris), and a colourful cast of characters that includes Baudelaire, Courbet, and Zola, with walk-on parts for Monet, Renoir, Degas, and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged. From the Hardcover edition.

David Hockney

A Bigger Exhibition

Author: Richard Benefield,Sarah Howgate,Lawrence Weschler,David Hockney

Publisher: N.A

ISBN: 9783791354231

Category:

Page: 228

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Now available in a new edition, this lavishly illustrated book captures the grand scale and vibrant color of David Hockney's work of the 21st century. In the past decade, having returned to England after years on the California coast, David Hockney has focused his attention on landscapes and portraits, as well as still lifes, all the while maintaining his fascination with digital technology. The resulting work is an extravagance of color and light, ranging in dimension from billboard- to letter-size. This lush and impeccably produced book features more than 200 full-color works of art from museum collections and Hockney's private studio, including such major recent works as The Arrival of Spring in Woldgate Wood and Bigger Yosemite. It also includes illustrations of some of his iPad drawings and self-portraits, along with film stills from the artist's "Cubist" movies. Hockney's own insight into this latest chapter of his career is found in his illuminating essay on perspective and is accompanied by thoughtful commentaries by renowned critic Lawrence Weschler and art historian Sarah Howgate.

Traces of Vermeer

Author: Jane Jelley

Publisher: Oxford University Press

ISBN: 0192506900

Category: Art

Page: 336

View: 2316

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Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is an absence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.

How to Paint Like the Old Masters

Author: Joseph Sheppard

Publisher: Watson-Guptill

ISBN: 9780823026715

Category: Art

Page: 143

View: 8083

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Explains in detailed, full-color demonstrations the oil-painting techniques perfected by sixteenthand seventeenth-century masters, studying portraits by Titian, Caravaggio, Reubens, and Rembrandt

The Science of Art

Optical Themes in Western Art from Brunelleschi to Seurat

Author: Martin Kemp

Publisher: Yale University Press

ISBN: 9780300052411

Category: Art

Page: 375

View: 1998

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This work, one of the most lucidly written art history books in recent memory, addresses a topic of inherent complexity and great recent interest. Kemp (Univ. of St. Andrews), who has written on Leonardo, discusses perspective and optic theories as they related to the central problem of European painting for half a millennium, the verisimilar depiction of nature. The first part of the book discusses perspective theory and practice and the use of devices that led toward photography. In the second part, Kemp explores optic theories derived from Aristotle and from Newton and their theoretical and practical impacts on painting. The only minor cavil is the unclear order of the select bibliography; otherwise, this is a superb and thoughtful book, with a level of writing to which few can aspire. Highly recommended for general as well as special collections.-- Jack Perry Brown, Ryerson & Burnham Libs . , Art Inst. of Chicago.


Everything is Happening

Journey into a Painting

Author: Michael Jacobs

Publisher: Granta Books

ISBN: 1847088090

Category: Travel

Page: N.A

View: 2863

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Michael Jacobs was haunted by Velázquez's enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the trails of associations from each individual character in the picture, as well as his own memories of and relationship to this extraordinary work. From Jacobs' first trip to Spain, to the complex politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, via Jacobs' experiences of the sunless world of the art history academy, Jacobs' dissolves the barriers between the past and the present, the real and the illusory. Cut short by Jacobs' death in 2014, and completed with an introduction and coda of great sensitivity and insight by his friend and fellow lover of art, the journalist Ed Vulliamy, this visionary, meditative and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.

True to life

twenty-five years of conversations with David Hockney

Author: Lawrence Weschler,David Hockney,Getty Foundation

Publisher: Univ of California Pr

ISBN: N.A

Category: Art

Page: 249

View: 7604

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"Lawrence Weschler's portrait of David Hockney is intimate, playful, and intellectually provocative. Beginning with an essay on Hockney's complex and ravishing photo collages, Weschler chronicles the artist's protean production and speculations: his scenic designs for opera, his homemade xerographic prints, his exploration of physics and its relation to Chinese landscape painting, his gripping investigations of the possibility that the old masters deployed optical devices - cameras - in their painting, his taking up of watercolor, and then, in what may be his most sumptuously productive phase yet, his spectacular return to oil painting, about 2004, with a series of vivid landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney's grand endeavor, nothing less than an extended exploration of "the structure of seeing" itself."--BOOK JACKET.

Cabinet of Curiosities

Collecting and Understanding the Wonders of the Natural World

Author: Gordon Grice

Publisher: Workman Publishing

ISBN: 0761189378

Category: Juvenile Nonfiction

Page: 200

View: 1326

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Exactly the book for every young explorer who loves finding stuff in nature and bringing it home. Cabinet of Curiosities is a lavishly illustrated introduction to the wonders of natural history and the joys of being an amateur scientist and collector. Nature writer Gordon Grice, who started his first cabinet of curiosities at age six when he found a skunk’s skull, explains how scientists classify all living things through the Linnaeus system; how to tell real gold from fool’s gold; how to preserve butterflies, crab shells, feathers, a robin’s egg, spider specimens, and honeycombs; how to identify seashells; the difference between antlers and horns; how to read animal tracks. And then, what to do with your specimens, including how to build a cabinet of curiosities out of common household objects, like a desk organizer or a box for fishing tackle.

Mirror of the World

A New History of Art

Author: Julian Bell

Publisher: N.A

ISBN: 9780500287545

Category: Art

Page: 496

View: 1280

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Traces the evolution of art throughout numerous cultures to offer insight into how regional and historical factors shaped aesthetic development, in a global survey that draws connections between different locations and cultures while citing famous and lesser-known landmarks.

Caravaggio's Eye

Author: Clovis Whitfield

Publisher: Paul Holberton Pub

ISBN: 9781907372100

Category: Art

Page: 279

View: 6117

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This book concentrates on a few crucial years of Caravaggio's development, in order to cast light on what made the artist such a revolutionary figure. It argues that this revolution was one of technique rather than style, and involved the sophisticated use of a camera obscura and so-called 'burning' or parabolic mirrors, exploiting new advances in glassmaking and optics. Because the results Caravaggio obtained by his new methods were so different he created a sensation, although these innovations were rapidly assimilated and the artistic establishment worked successfully to restore their way of doing things, so that the true novelty of his art in the 1590s has been obscured. Clovis Whitfield uses a lifetime of study of the period to discuss not only Caravaggio's technology but also his patronage and cultural context, the Rome of Clement VIII, concentrating particularly on Caravaggio's homosexual patron Cardinal Francesco Maria Del Monte and analysing the taste and role of his other early supporters as well. Whitfield's Caravaggio was the son of a bricklayer, untrained in traditional artistic disciplines, who instead took the dramatic step of painting exactly what he saw with his reproductive aids. Galileo's hypothesis drawn from observation and Caravaggio's novel description of what he saw were, according to Whitfield, parallel attempts to explain features of the many-layered reality that surrounds us. The book features remarkable new photographs and especially details of Caravaggio's paintings and those of his followers and rivals that will dramatically refresh hackneyed perceptions of this crucial figure and his world.