The Conversation Piece

Making Modern Art in Eighteenth-century Britain

Author: Kate Retford

Publisher: Paul Mellon Centre for Studies in British Art

ISBN: 9780300194807

Category: Art and society

Page: 425

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Pioneered by William Hogarth (1697-1764) and his peers in the early 18th century, and then revitalized by Johan Zoffany (1733-1810), the conversation piece was an innovative mode of portraiture, depicting groups posed in landscape or domestic settings. These artists grappled with creating complex multi-figured compositions and intricate narratives, filling their paintings with representations of socially, nationally, and temporally precise customs. Paying particular attention to the vibrant (and at times fabricated) interior and exterior settings in these works, Kate Retford discusses the various ways that the conversation piece engaged with the rich material culture of Georgian Britain. The book also explores how these portraits served a wide array of interests and concerns among familial networks and larger social groups. From codifying performances of politeness to engaging in cross-cultural exchanges, the conversation piece was a complex and nuanced expression of a multifaceted society.


Colonial Self-Fashioning in British India, c. 1785-1845

Visualising Identity and Difference

Author: Prasannajit De Silva

Publisher: Cambridge Scholars Publishing

ISBN: 1527514285

Category: Art

Page: 309

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A stereotypical view of the nineteenth-century British in India, which might be characterised as one of deliberate isolation and segregation from their surroundings, has recently been complemented by one evoking a high degree of integration and closer co-existence in the eighteenth century. Focusing on a period which straddles this apparent shift, this book explores a variety of ways in which British residents in India represented their lives through visual material, and reveals a more nuanced position. Consideration of these images, which have often been overlooked in the scholarly literature, opens up questions of identity facing the British population in India at this time and facing colonial societies more generally, and issues about the role of visual culture in negotiating them. It also underlines the fragile and contested nature of identity: the colonists’ self-fashioning encompassed not only expressions of difference from their Indian setting, but also what distinguished them from their compatriots back in Britain, as well as engaging with metropolitan attitudes towards, and prejudices about, them.

The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain

Author: Clare Taylor

Publisher: Routledge

ISBN: 1351021761

Category: Art

Page: 234

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Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

A Companion to British Art

1600 to the Present

Author: Dana Arnold

Publisher: John Wiley & Sons

ISBN: 1119170117

Category: Art

Page: 592

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Provides a diverse collection of essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history.

Figured in marble

the making and viewing of eighteenth-century sculpture

Author: Malcolm Baker

Publisher: Getty Publications

ISBN: N.A

Category: Art

Page: 192

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With few exceptions, sculpture--statues, busts, or monuments--has not figured prominently in discussions of visual imagery and the public sphere in eighteenth-century Britain. This volume explores what is lost by this omission and how a more comprehensive examination of sculpture might extend analyses of British art. An in-depth look at the making and viewing of eighteenth-century marble sculpture, Figured in Marble effectively writes sculpture back into the narrative of British art. The opening chapter situates the study of English sculpture within a broader context of art history. Three essays explore the ways in which the histories of sculpture in England have been written and articulated through museum displays. Several case studies illustrate issues about making sculpture, categories of sculpture, the setting and viewing of sculpture, and collecting and displaying it. Together, these chapters consider sculpture that ranges from Claude David's lost fountain for Cheapside, Wilton's monument to General Wolfe, and Nollekens' Judgement of Paris group to the French bronzes owned by Rysbrack and to William Shenstone's figure of Pan.

The Silent Rhetoric of the Body

A History of Monumental Sculpture and Commemorative Art in England, 1720-1770

Author: Matthew Craske

Publisher: Yale University Press

ISBN: N.A

Category: Art

Page: 528

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Matthew Craske looks closely at tomb sculptures in their social context. He discusses a large number of monuments by many different sculptors, all with a knowledge of the person commemorated and the circumstances behind the commission.

Die Bibliothek

Kulturgeschichte und Architektur von der Antike bis heute

Author: James W. P. Campbell,Will Pryce

Publisher: N.A

ISBN: 9783868736113

Category:

Page: 320

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The Making of Home

The 500-year story of how our houses became homes

Author: Judith Flanders

Publisher: Atlantic Books Ltd

ISBN: 1782393781

Category: Social Science

Page: 368

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The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in this revealing book, 'home' is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was a culmination of 300 years of economic, physical and emotional change. In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the sixteenth to the early twentieth century, and paints a striking picture of how the homes we know today differ from homes through history. The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without 'home', the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects - from cutlery, chairs and curtains, to fitted kitchens, plumbing and windows - she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family. As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.

Hogarth, France and British Art

The Rise of the Arts in 18th-century Britain

Author: N.A

Publisher: Paul Holberton Pub

ISBN: 9780955406300

Category: Art

Page: 313

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Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and print-making, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987).

Slavery and the Culture of Taste

Author: Simon Gikandi

Publisher: Princeton University Press

ISBN: 1400840112

Category: Literary Criticism

Page: 392

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It would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery's impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European--mainly British--life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century's many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.

Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

Drei Studien zur Kunstsoziologie

Author: Walter Benjamin

Publisher: Suhrkamp Verlag

ISBN: 3518734059

Category: Philosophy

Page: 112

View: 531

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Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.

Applying Performance

Live Art, Socially Engaged Theatre and Affective Practice

Author: N. Shaughnessy

Publisher: Springer

ISBN: 1137033649

Category: Performing Arts

Page: 288

View: 5119

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This book draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.


Der Weg des Künstlers

Ein spiritueller Pfad zur Aktivierung unserer Kreativität

Author: Julia Cameron

Publisher: Knaur MensSana eBook

ISBN: 3426422220

Category: Self-Help

Page: 352

View: 7025

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Die eigene Kreativität mit dem völlig neu überarbeiteten Bestseller entdecken: Das 12-Wochen-Programm von Julia Cameron führt Sie auf eine Entdeckungsreise zur eigenen Kreativität. Lernen Sie alle Hindernisse wie Ängste und Abhängigkeiten beiseite zu räumen und befreien Sie so Ihr kreatives Potenzial. Gestalten Sie Ihr Leben reicher, lebendiger und erfüllter. Die Autorin besitzt die Weisheit und Authentizität derjenigen, die das, was sie lehren, selbst intensiv durchlebt haben.

Sehen

Das Bild der Welt in der Bilderwelt

Author: John Berger

Publisher: S. Fischer Verlag

ISBN: 3104038198

Category: Fiction

Page: 160

View: 2298

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Das erfolgreichste Buch zur Kunst der letzten fünfzig Jahre - jetzt neu auflegt im FISCHER Taschenbuch! Mit seinem legendären Buch ›Sehen. Das Bild der Welt in der Bilderwelt‹ lehrte John Berger uns Anfang der 1970er Jahre, Bilder neu zu sehen. Er analysiert Gemälde nicht isoliert in einer Welt von musealer Ewigkeit, sondern als Gebrauchsmuster der modernen Gesellschaft, die vor allem den weiblichen Körper zur Reklame benutzt. John Berger, der große europäische Erzähler und Essayist, feiert im November 2016 seinen 90. Geburtstag. Seine Essays zu Kunst und Fotografie sind aus der Ästhetik des 20. Jahrhunderts nicht mehr wegzudenken. Meisterhaft finden seine Erzählungen und Romane eine sinnliche Antwort auf die Frage, wie wir heute leben. »Es gibt niemals genug von John Berger!« Tilda Swinton

A passion for privacy

Untersuchungen zur Genese der bürgerlichen Privatsphäre in London, 1660-1800

Author: Christoph Heyl

Publisher: Oldenbourg Verlag

ISBN: N.A

Category: London (England)

Page: 574

View: 1180

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Die burgerliche Privatsphare wurde erstmals in London zum Massenphanomen. Indem Heyl auf originelle Weise kulturhistorische und literaturwissenschaftliche Methoden kombiniert, gelingt es ihm, ein breites Spektrum bislang unerschlossener Quellen zum Sprechen zu bringen. Dabei wird deutlich, dass das Aufkommen der Privatsphare ab der Wende zum 18. Jahrhundert einen geradezu revolutionaren Einfluss auf Alltagsleben, Mentalitaten und Geschlechterrollen, ebenso aber auch auf Literatur und Kunst ausubte. Gleichzeitig ging man daran, die Stadt und ihre Hauser und Wohnungen umzugestalten, Raume abzugrenzen, Hierarchien zu schaffen - ein Prozess, der sich in Abhangigkeit von den neuartigen, um "privacy" kreisenden Verhaltens- und Denkmustern vollzog. Heyl zeigt, wie sich mit der Dichotomie von privatem und offentlichem Raum zugleich in London der Prototyp modernen europaischen Grossstadtlebens ausformte. Christoph Heyl, geboren 1965, ist Hochschulassistent am Institut fur England- und Amerikastudien der Universitat Frankfurt a. M."



Choice

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Academic libraries

Page: N.A

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